| Fueled by the avant-garde sonic ammo of keyboardist/composer Joe Byrd and the haunting vocals of Dorothy Moskowitz, the United States Of America found a way to permanently hardwire space-age electronic music to the heart of rock and roll on their highly desirable, self-titled 1968 debut. Byrd’s kaleidoscopic musical excursions and Gordon Marron’s searing violin orbit around the icy vocals of Moskowitz, who—with a passing resemblance to early Jefferson Airplane belter Signe Anderson—remains the group’s center, steady as a rock. |
